rūpe

and form — SB 6.19.13

as — Antya 6.202

by the beauty — Madhya 24.49

in beauty — Ādi 4.141, Ādi 4.214, Ādi 4.242-243

in forms — Madhya 20.167

in the beauty — Ādi 4.260

in the feature of — SB 2.1.23

in the features — Ādi 10.56

in the form — SB 2.9.26, Ādi 2.59, Ādi 4.99-100, Ādi 5.132, Madhya 22.7, Madhya 22.47, Antya 5.151

in the form of — Ādi 9.11

in the forms — SB 2.10.35, SB 7.9.47, Ādi 2.26, Ādi 2.98, Madhya 22.8

in the forms of — SB 1.3.33, Madhya 15.134

Rūpa Gosvāmī — Antya 1.55, Antya 1.59

to Rūpa — Antya 1.53

to Rūpa Gosvāmī — Madhya 19.1, Antya 1.56, Antya 1.84

unto Rūpa Gosvāmī — Madhya 19.121, Madhya 23.102, Antya 1.206, Antya 1.207, Antya 1.209, Antya 1.216

unto Śrī Rūpa Gosvāmī — Madhya 19.116

upon Rūpa Gosvāmī — Antya 1.208

with Śrīla Rūpa Gosvāmī — Antya 1.65

embraced Rūpa Gosvāmī — Antya 1.48

introduced Rūpa Gosvāmī — Antya 1.54

in the form of Advaita — Ādi 6.16

in the form of Advaita Ācārya — Ādi 6.20

as the expansion and the original Supreme Personality of Godhead — Ādi 5.154

in unlimited forms — Madhya 21.47

in unlimited forms — Ādi 2.100

in the form of the Supersoul — Ādi 5.85

as a covering for the four sides — Madhya 20.241

in the form of a covering — Madhya 20.193

in the form of Lord Caitanya Mahāprabhu — Ādi 2.109

in the form of the Supersoul — Ādi 1.58

in six forms — Ādi 2.99, Ādi 2.100

in the form of Brahman as wood — Madhya 15.135

the form of sound vibration — Madhya 21.140

in two forms — Madhya 20.166

in two forms — Ādi 1.68

in these six features — Ādi 1.32

in this form — Ādi 17.113

in this way — Ādi 5.134, Madhya 3.57, Madhya 7.82, Madhya 7.90, Madhya 9.63, Madhya 18.45, Madhya 21.86, Antya 16.150

to the one — Madhya 19.121

without change — Madhya 3.136

in so many forms — Madhya 20.247

in His arcā incarnation as Gopīnātha — Madhya 4.208

in the form of the spiritual master — Ādi 1.45

both Haridāsa Ṭhākura and Rūpa Gosvāmī — Antya 1.49

in the form of the cosmic manifestation — Ādi 7.124, Madhya 6.170

in the form of Lord Kṛṣṇa — Ādi 2.72

in the form of Cupid — Ādi 5.213

any material name or material form — SB 8.3.8-9

in the form of the holy name — Ādi 17.22

the name and form — SB 10.2.36

in various ways — Ādi 5.23, Madhya 2.27, Madhya 4.17

in the form of four-handed Nārāyaṇa — Madhya 20.192

in the form of Lord Nārāyaṇa — Ādi 5.27-28

the form of Lord Nārāyaṇa — Ādi 5.26

in nine Deities — Madhya 20.241

the Lord in His five forms — Ādi 7.163

in the divisions of prābhava and vaibhava — Ādi 2.97

like his life — Antya 10.40

in the original form of Mahā-Viṣṇu — Madhya 20.265

as previously — Madhya 20.192

composed of transcendental mellows — Madhya 23.47

briefly — Madhya 25.90

O mother — SB 3.25.38

O mother, the symbol of peacefulness — Madhya 22.162

in all these forms — Ādi 5.11

in the form of Vedic literature, the spiritual master and the Supersoul — Madhya 20.123

in that way — Antya 6.265

in that form — Ādi 17.113

in form of Lord Śeṣa — Ādi 5.117

the form of Lord Śeṣa — Ādi 5.10

as an instruction — Madhya 16.236

in the form of Lord Śrī Kṛṣṇa Caitanya — Ādi 6.109

to Śrīla Rūpa Gosvāmī — Madhya 19.89, Madhya 19.135

seeing Śrīla Rūpa Gosvāmī — Madhya 19.48

to meet Śrīla Rūpa Gosvāmī — Antya 1.103-104

teaching Śrīla Rūpa Gosvāmī — Madhya 1.243

the gross form — SB 5.16.3

in the form of a synopsis — Ādi 13.7, Madhya 4.7, Madhya 19.136

in the form of notes — Ādi 13.15

in the form of a specific shadow from His personal body — Madhya 20.273

in identities — Madhya 24.80

in the form of — Ādi 1.58

original form — Madhya 17.132

who describes the pastimes of Lord Kṛṣṇa — Madhya 19.121

in the original form — Madhya 20.166

attracted to her beauty — Antya 20.53

in the form of tad-ekātma — Madhya 20.184

in as many forms — Ādi 5.67

in three forms — Madhya 20.165

in His all-pervasive feature — Madhya 24.22

and specifically — Ādi 1.23

in the form of Lord Viṣṇu — Madhya 20.314

in the form of Vyāsadeva — Ādi 7.106

as — Madhya 7.112

by which process — Antya 20.20